Tag: tumblarians

Categories
Uncategorized

Sämtliche Werke und Briefwechsel : historisch-kritische Ausgabe mit Faksimiles der handschriftlichen Texte Trakls / herausgegeben von Eberhard Sauermann und Hermann Zwerschina ; im Auftrag des Forschungsinstituts “Brenner-Archiv” der Universität Innsbruck. (OCLC #34642140)

When copy cataloging sets, it’s important to look at the set as a whole while searching for copy, not just the first volume. This one fooled me twice!

Volumes in this set were published in different years, not in order, and in somewhat of a wide range. Volume 1 was published in 2007, but Volume 2 was published in 1995. Looking only at Volume 1, I might have discounted the excellent record for the set with publication statement:

264 _1 Basel ; ǂa Frankfurt am Main : ǂb Stroemfeld/Roter Stern,
    ǂc 1995-

Also, the volume I initially assumed was the first one (given the spine label V.1) turned out to be Volume 5, Part 1; the existence of V.2 (the second part of Volume 5) was extra convincing. Volume 4 also has two parts, so the labels “IV.1” and “IV.2” gave me an extra clue that something weird was happening.

Categories
Uncategorized

For memories’ sake / Lovell Films & Preservation Project present, a film by Ashley Maynor ; producer, Paul Harrill. (OCLC #651057604)

RDA 7.17.1.4 on Details of Colour Content describes recording “details of the presence of colour, tone, etc., in the content of an expression, and the specific colours, tones, etc., including black and white, present. Record details of colour content if considered important for identification or selection.” There was a specific rule for color of moving image, but it has been deleted in a revision to RDA.

The OLAC best practices guide for DVD and Blu-Ray gives more detailed examples, including the one used in the physical description of this video:

300 __ ǂa 1 videodisc (29 min.) : ǂb sound, color with 
    black and white sequences ; ǂc 4 3/4 in.
Categories
Uncategorized

One hundred letters home / Adam Aitken. (OCLC #947042420)

Recently on the Troublesome Catalogers facebook group, somebody asked when it is appropriate to include both “text” and “still image” as content types for a textual book with illustrations:

336  ǂa text ǂ2 rdacontent
336  ǂa still image ǂ2 rdacontent

This appears to be a matter of catalogers judgment, as well as differing policy between cataloging agencies. Some include it when a book has any illustrations, others only when a book is chiefly illustrations (such as a picture book or a graphic novel), or if the illustrations are particularly noteworthy.

I don’t think I’ve used this much, but when considering it, I typically think – if a patron were to limit their search to images, would they be happy if they found this book?

This particular title had about 30 mostly-small black-and-white illustrations (including portaits, facsimiles) spread out over 300 pages. This did not seem substantial enough to merit the added content type, so I removed it for our local copy.

Categories
Uncategorized

An account of the assassination of loyal citizens of North Carolina, for having served in the Union Army, which took place at Kingston in the months of February and March, 1864 / by Rush C. Hawkins. (OCLC #993606950)

This volume includes this ISBN statement on the title page verso:

    ISBN: 4444000055732PB

though only the digits appear in the book’s barcode.

An ISBN is considered to be structurally invalid when “its length or structure is incorrect or its check digit does not agree with the formula for calculating it.” This one has 13 digits, and the final digit DOES match what would be computed by the check digit formula:

    (4 + 3*4 + 4 + 3*4 + 0 + 3*0 + 0 + 3*0 + 5 + 3*5 + 7 + 3*3
         + digit) mod 10 = 0
      (68 + digit) mod 10 = 0
      digit = 2

But it is otherwise not structurally correct; in particular, it does not start with a GS1 ISBN prefix (978 or 979).

Such ISBNs are still recorded in the 020 field in MARC, but in ǂz instead of ǂa:

    020 __ ǂz 4444000055732
Categories
Uncategorized

Әсем саз / М. Балтабаев, Б. Өтемұратова. (OCLC #1005139027)

This lovely picture book in the Kazakh language arrived at my desk needing original cataloging. I don’t know much of the language beyond my familiarity with its cyrillic alphabet, but fortunately the title page verso included this description in Russian:

Музыкальный букварь для начальных классов (казахский язык)

which translates to

Musical primer for elementary school (Kazakh language)

which helped with the subject analysis and classification.

Categories
Uncategorized

A.P.C. & Laurent Deroo architecte : 2000-2015. (OCLC #1005077316)

Inverse barcodes (white bars on a darker background) are readable by some fancier barcode scanners, but not by most. Fortunately, the numbers are usually nearby, so may be typed in instead!

Categories
Uncategorized

The world broke in two : Virginia Woolf, T.S. Eliot, D.H. Lawrence, E.M. Forster and the year that changed literature / Bill Goldstein. (OCLC #970042762)

Subject Heading Manual section H 620 on establishing chronological subject headings says:

Establish headings for centuries, decades, or years using words, not numbers. 

    650 _0 ǂa Nineteen twenty-two, A.D.

It also says:

This differs from the practice for subdivisions where numbers are preferred. 

    650 _0 ǂa Literature and society ǂx History ǂy 20th century.
Categories
Uncategorized

I am not your Negro / Magnolia Pictures ; Amazon Studios ; Velvet Film, Inc. (USA), Velvet Film (France) present in coproduction with Artémis Productions, Close Up Films ; in coproduction with ARTE France, Independent Lens, RTS Radio Télévision Suisse, RTBF (Télévision belge), Shelter Prod ; written by James Baldwin ; directed by Raoul Peck ; produced by Rémi Grellety, Raoul Peck, Hébert Peck ; a Raoul Peck film. (OCLC #976436785)

RDA defines the on-screen participant relationship designator to mean:

An agent contributing to an expression of a nonfiction moving image work by taking an active role as a participant. Appearance on screen to provide contextual or background information is excluded.

The record for this documentary includes designated several people this way:

    700 1_ ǂa Baldwin, James, ǂd 1924-1987, ǂe screenwriter,
        ǂe on-screen participant.
    700 1_ ǂa Belafonte, Harry, ǂd 1927- ǂe on-screen participant.
    700 1_ ǂa Brando, Marlon, ǂe on-screen participant.
    700 1_ ǂa Cavett, Dick, ǂe on-screen participant.
    700 1_ ǂa Bush, George W. ǂq (George Walker), ǂd 1946-
        ǂe on-screen participant.
Categories
Uncategorized

Resistance / Film Buff ; an Uji Films production ; directed & edited by Michael Graziano ; produced by Michael Graziano, Ernie Park. (OCLC #892627517)

In RDA, the relationship designator commentator is defined as:

A performer contributing to an expression of a work by providing interpretation, analysis, or a discussion of the subject matter on a recording, film, or other audiovisual medium.

I tend to think of the word as referring to someone providing live / running commentary of events (as a news or sports commentator), but the term seems slightly more general, as used in this record:

700 1_ ǂa Aarestrup, Frank M., ǂd 1966- ǂe commentator.
700 1_ ǂa Cox, Ed ǂq (Edward M.), ǂe commentator.
700 1_ ǂa Flynn, William ǂc (Veterinarian), ǂe commentator.
700 1_ ǂa Eisen, Jonathan, ǂc Dr., ǂe commentator.
700 1_ ǂa Kar, Avinash, ǂe commentator.
700 1_ ǂa Glickman, Dan, ǂe commentator.
700 1_ ǂa Creech, Buddy ǂq (Clarence), ǂe commentator.
700 1_ ǂa Laxminarayan, Ramanan, ǂe commentator.
700 1_ ǂa Levy, Stuart B., ǂe commentator.
700 1_ ǂa McKenna, Maryn, ǂe commentator.
700 1_ ǂa Price, Lance ǂc (Physician), ǂe commentator.
700 1_ ǂa Rex, John H., ǂe commentator.
700 1_ ǂa Slaughter, Louise M., ǂe commentator.
700 1_ ǂa Spellberg, Brad, ǂe commentator.
700 1_ ǂa Hansen, Gail ǂq (Gail R.), ǂe commentator.
700 1_ ǂa Chiller, Tom, ǂe commentator.
700 1_ ǂa Dahl, Jan ǂc (Veterinarian), ǂe commentator.
700 1_ ǂa Philpott, Tom ǂc (Food writer), ǂe commentator.

What do you think? Is there a better relationship designator for experts providing information in a documentary?

Categories
Uncategorized

Gmelin Handbuch der anorganischen Chemie. (OCLC #802031)

With all these types of enumeration on the volume, how should this series be arranged and labeled? By Band/Teil? Should supplements be grouped with their elements? If so, how to arrange elements? (by Periodic table order?)

In our collection, this volume has the description:

B; s.n.13; supp; pt.6; 1975

Volumes in this set are labeled by the element symbol (in this case B = Boron) and also the Gmelin system numbers, where Boron has number 13. It is part (Teil) 6 of a supplemental series (Ergänzungswerk), published in 1975.